In the idyllic scene of the hôtel salomon de rothschild, the feeling and mastery of volumes, that epitomizes this loved chinese creator, has evolved towards a minimum material expression, where the shapes and textures reduce the sculptural to the relief, the transition from deep fold to the subtle groove.
Almost transparent, smooth and fine like the just sheded skin, like the most delicate skin or the rice paper, also adaptable, the weight of fabrics seems to disappear on the support of skinny muses, a sensation of epidermic fusion only contrasted by the metallic finish. This time, she coincides with a solid trend towards the mineral within the world of the haute couture, where yin stands out by that extraordinary and gentle breeze, by the organic function of a design attached to the body.
